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Sunday 20 May 2007
Brainstorm
Finding hope
with William Styron
By
Norman B. Bendroth
In
1992 I had a clinical depression. It was a long
time in coming, but in hindsight it was
inevitable. I was the pastor of a struggling,
urban church where the turnover rate was about
25 percent every fall. We did amazing things for
a church our size, but we were dying. I came to
this conclusion on a gray March afternoon while
hunkered down in my study trying to write a
sermon on the atonement.
Behind the stormy sky in my mind, I saw not a
smiling Providence offering a gesture of
boundless love in sharing his son Jesus, but a
scowling ogre, an angry, petulant father looking
for someone to take the blame for the creation's
botch of it all and heaping it on a poor,
innocent kid. I knew intuitively that there must
be a better way of looking at this mystery, but
at that moment it was a horror. God was a brute
robbing me of any joy. With Job I said: "For the
thing which I greatly feared is come upon me,
and that which I was afraid of is come unto me.
I was not in safety, neither had I rest, neither
was I quiet; yet trouble came." Whether this
torment was a function of the descending
depression or a contribution to it, I cannot
say, but I called my wife and said, "I can't do
this anymore. I'm coming unglued."
I later learned that I came by depression
naturally. Both my father's father and mother
had "nervous breakdowns." My great-grandfather,
who had immigrated to Boston in 1898, would
frequently go back to the old country for
extended periods to recuperate from bouts of
melancholia. Somewhere buried in my genetic weed
bed were the tendencies that undid me.
While slogging through the early stages of
Prozac, I began reading William Styron's
Darkness Visible: A Memoir of Madness.
Most people knew Styron for his controversial
novel The Confessions of Nat Turner and
for Sophie's Choice, a poignant memoir of
the Holocaust seen through the eyes of a
survivor. Both books received awards and rave
reviews. Lesser known is this 84-page book that
Styron penned after a severe bout with
depression in 1985. I sat in my bed that night
and read it cover to cover, then turned to my
wife and said, "He's telling my story."
Styron called depression a "brainstorm," an
expression that gave me a shot of hope because
Styron was describing exactly what was going on
in my head. "Told that someone's mood disorder
has evolved into a storm—a veritable howling
tempest in the brain, which is indeed what a
clinical depression resembles like nothing
else—even the uninformed laymen might display
sympathy rather than the standard reaction that
'depression' evokes, something akin to 'So
what?' or 'You'll pull out of it' or 'We all
have bad days.'"
That was it. I couldn't turn my head off.
There was a tsunami coursing through my mind and
there was nothing I could do about it.
Styron spoke of reaching the limits of his
agony. He knew he could not continue a life in
which he "moved from pain to pain." He met with
his lawyer and rewrote his will, made vain
attempts at writing a suicide note, and
carefully wrapped up a notebook containing
haphazard writings in a paper towel, put it in a
box of Post Raisin Bran and deposited it into
the trash barrel.
On one bone-chilling December night he endured
"a curious inner convulsion that I can describe
only as despair beyond despair." He admitted to
himself that he could not live another day and
was planning his demise. With his wife in bed,
he bundled himself up on a sofa and forced
himself to watch a video with an actress who had
been in a play that he had written. The
characters, in 19th-century Boston, are
strolling down a corridor in a music
conservatory, when suddenly they hear a
contralto voice singing a soaring passage from
the Brahms Alto Rhapsody. He writes:
This sound . . . pierced my heart like a
dagger, and in a flood of swift recollection
I thought of all the joys this house had
known: the children who had rushed through
its rooms, the festivals, the love and work,
the honestly earned slumber, the voices and
nimble commotion, the perennial tribe of
cats and dogs and birds. . . . All this I
realized was more than I could ever abandon,
even as what I had set out to do so
deliberately was more than I could inflict
upon those memories, and upon those, so
close to me, with whom the memories were
bound. And just as powerfully I realized I
could not commit this desecration on myself.
He
woke his wife and checked into a hospital, where
he clawed his way back to sanity.
While I never contemplated how I would commit
suicide, there were days when my depression was
so great that I thought nonexistence would be
preferable to enduring the pain any longer.
Although I didn't have an epiphany moment like
Styron, I did know that this world is so full of
goodness, beauty and truth that it grieved me
terribly that I would even consider checking out
of it. The song that pierced my heart might have
been Bonnie Raitt and John Prine singing "Angel
from Montgomery," but the effect was the same.
I have lived 12 years now depression-free. I
have had setbacks and struggles, but nothing of
the kind that levelled me in 1992. I liken my
infirmity to an ankle I sprained playing
intramural basketball in seminary and then again
a few years later. The ankle eventually healed,
but for years it was weaker than the other. It
would let me know it was there if I moved
suddenly or bounded two steps at a time, so I
had to take care when I put pressure on it. The
same went for my psyche. There were
circumstances that I knew would be stressful, so
I had to take extra care—get plenty of sleep,
pray, see my therapist, exercise or have lunch
with a friend. I learned the tricks my mind
would play on me and I built some resiliency
skills. My ankle no longer bothers me and my
depression is behind me (although I still wonder
when the ogre will jump out of the closet
again), and by God's grace my capacity for
serenity and joy has been restored.
All this history came rushing back when I heard
of Styron's death last year. I mourned his
passing, for along with my faith, my family and
my sense of humour, he was the turnkey on my
road to recovery. His words still bring comfort.
"By far the great majority of the people who go
through even the severest depression survive it,
and live ever afterward at least as happily as
their unafflicted counterparts. Save for the
awfulness of certain memories it leaves, acute
depression inflicts few permanent wounds."
With Styron I can testify that the return from
the abyss "is not unlike the ascent of the poet,
trudging upward and upward out of hell's black
depths and at last emerging into what he saw as
'the shining world.'"
Norman B. Bendroth is interim minister at the
Congregational Church of Topsfield (UCC) in
Topsfield, Massachusetts.
Copyright
2007 CHRISTIAN CENTURY. Reproduced by permission from
the May 01 2007 issue of the CHRISTIAN CENTURY.
Subscriptions: from $49/year from P.O. Box 378, Mt.
Morris, IL 61054. 1-800-208-4097. Visit the
Christian Century website.
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